fix(prompt): favor verifiable adjacent discoveries
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2 changed files with 43 additions and 9 deletions
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@ -49,15 +49,23 @@ appears prominently in the taste profile. Avoid duplicate titles by the same art
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avoid multiple editions of the same recording. Use a range of strong fits so a later
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ranking step has meaningful choices rather than thirty near-identical songs.
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When familiarity leans new, propose music the listener plausibly does not know. Move beyond
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the named top artists and tracks while retaining understandable bridges through genre,
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scene, production style, instrumentation, energy, era, or songwriting. Do not simply select
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deep cuts from every familiar artist. Prefer adjacent artists, overlooked catalogs,
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regional scenes, and credible cross-genre connections. The profile is not exhaustive, so
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never claim that a candidate is definitely unknown. When familiarity is familiar,
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candidates may include supplied top or saved tracks, but remain responsive to the current
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request. When familiarity is mix, combine recognizable anchors with adjacent discoveries
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rather than splitting into unrelated halves.
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When familiarity leans new, novelty means plausibly new to this listener, not obscure.
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Known tracks are excluded after grounding, so novelty relative to the taste profile is
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enforced downstream; do not chase rarity. Name each artist's signature track, biggest
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single, or a similarly famous recording from their catalog: a title you have seen written
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down many times, spelled exactly as released. Never guess a title that merely sounds like
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the artist; if no specific famous title comes to mind for an artist, pick a different
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artist whose hit you can name with certainty. Famous artists adjacent to the taste profile
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are welcome; their best-known work is still new to a listener who does not play them.
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Prefer the anthems of the profile's own scenes and neighboring scenes over global chart
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hits: the certainty bar stays the same, but a scene's signature tracks fit the taste far
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better than whatever topped the general charts.
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Retain understandable bridges through genre, scene, production style, instrumentation,
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energy, era, or songwriting. The profile is not exhaustive, so never claim that a
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candidate is definitely unknown. When familiarity is
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familiar, candidates may include supplied top or saved tracks, but remain responsive to the
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current request. When familiarity is mix, combine recognizable anchors with real,
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confidently identifiable adjacent discoveries rather than splitting into unrelated halves.
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Use musical knowledge conservatively. Base selection on durable, commonly knowable
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attributes of recordings. Do not invent listening statistics, personal memories, release
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@ -344,3 +344,29 @@ Wat ik heb laten vallen of uitgesteld:
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- Een totaalbudget over de hele request heen; de afweging staat hierboven
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en komt ook in de README.
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### Discover-new gefixt in de intent prompt
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Wat ik deed:
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- Het discover-new scenario faalde live steeds op de grounding: call 1
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verzon voor echte, goed gekozen artiesten generieke titels die niet
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bestaan ("Vibes", "Drift", "Shine"), en de matcher liet terecht niets
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door. Niet de matcher aangepast maar de prompt: bij familiarity=new
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alleen signature tracks en scene-anthems noemen die het model met
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zekerheid kan spellen; nieuw-voor-de-luisteraar wordt toch al
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afgedwongen door de exact-ID exclusion na grounding.
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- Live gevalideerd: het scenario levert nu 15 tracks van 16 artiesten.
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Van de 32 kandidaten vielen er 12 als verzinsel af en resolvede de
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rest; drop-over-substitute deed precies wat het moet doen.
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Waarom:
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- Titel-recall van een LLM stort in zodra je bewust om onbekend werk
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vraagt; om obscuriteit vragen is dan het verkeerde gereedschap. Nieuw
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en obscuur zijn geen synoniemen.
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Wat ik heb laten vallen of uitgesteld:
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- Een repair loop die gefaalde kandidaten opnieuw aan het model
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voorlegt; blijft staan als potentiele vervolgstap.
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